It was widely reported that one coin was sold at a classified private sale for a total of $3.73 million. The gold content of the portraits of Queen Elizabeth is 99% and the face value of the gold is $1,000,000. Guinness World Records has already recognized the world’s largest 21-pound coin as the largest coin ever. One of the most unique Islamic coins is the Ummayad Gold Dinar, which was struck from an Arabian gold mine. The global coin market is estimated to be worth millions of dollars. However, some foreign coins are generally considered to be more valuable than others, such as those from China, Japan, and Greece. What Foreign Coins Is Worth Money?Ĭredit: There is no definitive answer to this question as the value of foreign coins depends on a number of factors, including the country of origin, the age and condition of the coin, and the current market conditions. Coins with better condition, little wear, no problems, and an appealing eye appeal are significantly more valuable than coins with poor quality. In general, these are worth more, as stated in the table below. The foreign bins at local coin shops are frequently filled with silver or even gold coins that no one else recognizes.ĭespite the fact that these coins are extremely rare, the majority of them are only worth a few dollars. Although they have very low purchasing power, the specificity of a Thai Baht coin is that it usually comes with hundreds of dollars in value.īecause most people collect coins from their own country, they are less likely to recognize them from foreign coins that are more valuable or rare. Each coin comes in a different denomination, ranging from 1 centime to 20 francs. The French Franc FRF was the country’s currency for five years, 1960 to 2002. When it comes to new coins, Hong Kong has had an on and off relationship with Minting Hong Kong, which is currently replaced by Octopus Cards. The Spanish Peseta was replaced in 1999 by the euro, which was first issued in 1868. There are eight value points on the Australian dollar coins, ranging from one cent to two dollars (one and two cent coins have since been phased out). To that end, we will instead focus on currencies that are both profitable to sell and simply worthwhile to buy. We will not discuss these ridiculously expensive ones because they are extremely rare. We will look at a few foreign coins with value for money in this article. Most of us keep a small box with old coins in our homes. So, if you come across a coin from another country, don’t discount it as being worthless – it could be worth a lot more than you think! A coin that is in mint condition is likely to be worth more than one that is damaged or worn. Of course, the condition of a coin is also important when it comes to determining its value. The country of origin can also affect a coin’s value, with coins from countries with a long and rich history often being worth more than those from newer or less well-established countries. This is because there are often fewer of these older coins in circulation, and they are often more intricately designed than more modern coins. In general, the older a coin is, the more valuable it is likely to be. For example, a rare coin from ancient Greece or Rome could be worth a small fortune, whereas a more common coin from a more recent country might only be worth a few dollars. When it comes to the question of whether or not coins from other countries are worth money, the answer is a resounding yes! Coins from other countries can be extremely valuable, depending on a variety of factors such as the country of origin, the age of the coin, and the condition of the coin.
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The city’s top violator for keeping scaffolding up indefinitely while delaying repairs? NYCHA. Unlike in other large US cities, the rules ridiculously apply to every building, no matter how much or little risk it presents, how old it is or what materials it’s made from.Īlmost every inspection discovers a few technical violations, which results in a building like the Upper East Side one where I live being surrounded by scaffolding on three sides for more than two years - twice in the last decade. The laws require inspections every five years of all buildings more than six stories tall, and sheds to go up whenever work is done to correct “violations.” Erik Pendzich/Shutterstockīut Adams, like his mayoral predecessors, has neither the guts nor political support to take them on. Mayor Eric Adams has proposed a fix that would tackle abuses by landlords - but the bigger problem is laws that enrich the scaffold leasing industry. In the name of protecting the public from rare instances of dangerous falling debris, the laws mainly protect the profits of scaffold leasing companies, city plan examiners, construction unions, contractors, engineers and consultants who all batten at the trough. They did more to enrich the sleepy scaffold leasing industry than Thanksgiving has done for turkey growers. Local Laws 10 and 11, enacted during the Ed Koch and Rudy Giuliani years must go. The problem isn’t incidental abuses by landlords of current laws, which Adams’ fixes would tackle - it’s the laws themselves. New York City is unusual compared to other cities in that scaffolding rules apply to every building, no matter how much or little risk it presents, how old it is or what materials it’s made from. The annual $8 billion scaffold leasing and support industry has little to fear from the puny proposals. Ha! Do you know what $6,000-a-month fines would mean for most of these landlords? A rounding error.Įven if the measures are approved by the City Council - a body so demented that some members want to legalize jaywalking - they’d do no more good than toothless “crackdowns” on subway turnstile-jumping, unlicensed marijuana peddling and padlocks on “plazas” that landlords are supposed to keep open to the public. They call for landlords to renew scaffolding permits every 90 days instead of once a year and levy bigger fines for leaving up “unsafe” sheds for too long. The limp measures would be as effective in getting rid of a meaningful number of sheds as throwing spitballs would be to stop an M1 tank. Yippee - Mayor Eric Adams is launching a big crackdown on the city’s plague of sidewalk-jungle scaffolds, which he prefers to call “sheds.”īut don’t hold your breath waiting to see the blocks-long blights that darken streets from uptown Park Avenue to Wall Street disappear.Īdams calls his proposal “Get Sheds Down.” But let’s get real. 'Deteriorated' scaffolding surrounds City Hall-owned 2 Lafayette St - despite Adams' 'crackdown' Hochul and Adams' stand-up Armory act won't actually help The Bronx Tishman Speyer's Spiral secures 3 new financial-services leases in booming Hudson Yardsįake meat is failing because it's gross and unhealthy NYC coroner's office ringed by scaffolding for nearly 15 years: 'It’s outrageous' honored us with their review of our brand-new FORCE golf bag. Read the full article from Golf Digest here "At the end, the same bag sold in retail would cost around 0-460 so I guess that our price of 0 is still a great one."Ĭheck out the product page for our Vice FORCE bag and while you’re at it, why not get some matching CACHE BACKPACK as well? It weighs approximately five pounds.”Ĭo-Founder Ingo Duellmann about the mix of function, quality and price: "Our bag is 100 percent waterproof-not only one little part of the bag, but the whole bag," he said. 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You want your mind to wander and to pick up words and phrases, and fool around with them and drop them.īecause as soon as your mind knows that it’s on, and it’s supposed to produce some lines, either it doesn’t or it produces things that are very predictable.Īnd that’s why I say I’m not interested in writing something that I thought about I’m interested in discovering where my mind wants to go or what object it wants to pick up. It’s a very pleasant feeling if you like playing ball, and while you do it, your mind kind of wanders, and that’s really what you want to happen. PAUL SIMON: The act of throwing a ball and catching a ball is so natural and calming. “You Can Call Me Al,” the video with Chevy Chase. Asked what effect that had on this song, he gave the following answer, which leads into his explanation of discovering what became “You Can Call Me Al.” To get to the right place to allow that discovery to occur, he’d listen to the music while tossing a baseball against the wall, and catching it. It may be just as good, but it’s more fun to discover it.” “But if I make it up,” he continued, “knowing where it’s going, it’s not as much fun. When it happens and I’m the audience and I react, I have faith in that because I’m already reacting. “He looks around, around, he sees angels in the architecture spinning in infinity, he says, 'Amen and Hallelujah!’”Īsked what the distinction was between discovery and invention, he said, “You just have no idea that that’s a thought that you had it surprises you it can make me laugh or make me emotional. As he said during our first of many conversations back in 1988, “I’m more interested in what I discover than what I invent.” Which is not to say he calculates his lyrics he doesn’t. The lyrics shift from the ordinary language of the first verse to a third verse imbued with enriched imagery, the “angels in the architecture, spinning in infinity…” That progression is not random. Simon wrote the song using a new approach to lyrics, which combined colloquial speech with abstract, “enriched” language. Jazz musician Morris Goldberg played the other solo on the song on a penny whistle. Bakithi improvised the fast fretless break, which Roy sonically doctored in New York he used the first half of the phrase, then reversed it for the second half, creating a musical palindrome. There’s a delightful bass break by Bakithi Kumalo, which was not part of the original arrangement, but suggested by Paul when learning that it was the bassist’s birthday. Rob Mounsey, who played synth, also arranged and conducted the nine-piece horn section (five trumpets, two trombones, baritone and bass saxophones). It was completed at the Hit Factory in New York with Roy Halee in April of 1986. Simon brought those recordings back to his New York City home, where he allowed the energy of the music to inspire the lyrics and melodies. “I need a photo-opportunity, I want a shot at redemption, don’t want to end up a cartoon in a cartoon graveyard”Īll the songs for Graceland, unlike his previous work written with voice and guitar, were written to tracks he and his friend, the producer-engineer Roy Halee, recorded in Africa. It was the first single from Graceland, and became a hit, launched by the famous music video with Chevy Chase. Boulez introduced them to his guests as “Al and Betty.” Simon and his first wife Peggy arrived, meeting their host at the door, who evidently had no clue who they were. The famously funny yet enigmatic chorus, Simon said, came from a funny memory of going to a party at the New York apartment of Pierre Boulez, the conductor-composer. It’s whimsical, rhythmically infectious, poetic and conversational, all before it expands into a whole other realm. The songwriter explains the new methods used to write this and the others songs on “Graceland.”įrom Paul Simon’s landmark Graceland, “You Can Call Me Al” is quintessential Simon. The aims of the present study were to describe the normative distribution of HbA1c values and to investigate the factors associated with HbA1c values in Korean youths and young adults, using nationally representative data. Normative studies of children and adolescents, mostly conducted in the USA, showed differences in the distribution of HbA1c values based on age values tended to be higher during adolescence 5, 8, 9. However, there has been no population-based study on HbA1c reference values in Korean youths and young adults the previously published studies contain no data on the distribution of HbA1c values in the Asian paediatric population.Ĭonsidering the rapidly increasing prevalence of obesity and type 2 DM in children and adolescents, and the increasing use of HbA1c as a marker of glucose metabolism, it is important to establish normative reference values for the Korean population. Only a few population-based studies on HbA1c reference values have been performed to date 8, 9 these have demonstrated differences in the distribution of HbA1c values based on age, sex, and ethnicity. HbA1c levels in adults show age-, sex-, and ethnicity-related differences, implying the need to establish reference values according to relevant factors 5, 6, 7. Its normal range in adult populations is up to 5.7% (39 mmol/mol) 2, 3, 4. In addition, HbA1c is a useful predictor of cardiovascular disease and metabolic syndrome. Glycated haemoglobin (HbA1c) is used as a tool to diagnose diabetes mellitus (DM) and is the best indicator of glycaemic control in patients with DM 1. There were significant differences in the level of HbA1c according to age and sex. The present study provides nationally representative data on the distribution of HbA1c values in Korean youth and young adults. After controlling for confounding variables, the HbA1c values of youths and male participants were significantly higher than those of young adults and female participants. When age was grouped into 5-year intervals, HbA1c was the highest in those aged 10–14 years and the lowest in those aged 20–24 years. Male participants showed significantly higher HbA1c level than females ( P < 0.001). Percentiles of HbA1c were calculated and HbA1c values were compared according to age, sex, and associated factors. A total of 6,418 participants (male 3,140 ) aged 10–29 years were included in the analysis. Data from the Korea Health and Nutrition Examination Survey (2011–2015) were used. The present study aimed to describe the distribution of and to investigate the factors associated with glycated haemoglobin (HbA1c) values in Korean youth (10–19 years old) and young adults (20–29 years old). Universal Maps Downloader 9.36 + keygen. Instructions are included in ReadMe.txt if needed.ĭownload Universal Maps Downloader 9.36 + keygen Technical support for the free version of DaVinci Resolve 18.5 is only. Download (30.4 MB) Buy (39.95) Features Matrix. Download Universal Maps Downloader 10.143 free - offers free software downloads for Windows, Mac, iOS and Android computers and mobile. 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Universal Maps Downloader is an application that you can use to download maps from Google, Yahoo and Microsoft. Universal Maps Downloader 9.36 + keygen The proposed program will help all users to download maps of the Earth’s surface. Easily download and save maps from Google, Yahoo, Bing and OpenStreetMap or convert the degrees, minutes, seconds to another format. Things Can Getting Started By Setting Up The Task Name And Then You Can Select The Map Type Which You Are Attempting To Download Like Google Street, Satellit. This could leave parents, among others, asking difficult questions about the content and value for money of higher education. With study resources migrating to virtual learning environments and now classroom activity migrating to join them, we risk an apparent “MOOC-ification” of teaching – where all lectures could be viewed as part of a massive open online course. Perhaps the biggest institutional concern will arise around how all this appears from outside. Metrics on how many students view these recordings may soon become part of a “big data” story – integrated with metrics of course evaluation and workload as a contested part of an academic’s personal development planning or a university’s audit. Suppose a lecturer was asked to speak at a conference but it awkwardly clashed with a lecturing commitment – it might be tempting to grab last year’s recording and simply re-cycle it.īut a recorded lecture may not always serve the lecturer so generously. Presentation, because lecturers may become more cautious about interactive formats: if students show uneasiness about being recorded taking part (or, indeed, demanding consent to be recorded doing so).Įducational technologists speak of “re-usable learning objects” – and recorded lectures could fall into this category. Content, because a recording is unforgiving in its permanence and vulnerable to uncontrolled circulation beyond its intended audience. Perhaps most worrying would be if lecturers start avoiding controversy and taking risks in both the content they use and their presentation. More controversially, lecturing may morph into performing: with modes of presentation that play up to the camera (or microphone). Students using recordings will miss much of this, while lecturers may need to inhibit action to accommodate fixed cameras. Performance anxietyĪnother anxiety concerns the physical presence of the lecturer in front of his or her students: their gestures, movements, facial expressions, and eye contact. Such study habits are known to be unhelpful and so we can do without further temptations towards them. Similarly, ready access to replays may encourage procrastination and then episodes of “binge studying” around the time of examinations. This danger is that the lecture may increasingly be interpreted by students as being “the main thing”, prompting them to anxiously reproduce its contents in assignments. This could be counter-productive for staff wishing to stimulate a wide range of study practices. Man laptop via Rock and Wasp/Whether or not attendance is disrupted the organised recording of lectures by universities – versus the under-the-desk recording by students – risks putting too much importance on the lecture in the learning experience. The potential downsides of lecture capture gather around three themes: changes to student experience, changes in teacher practices, and the re-shaping of institutional strategy. Meanwhile, lecturers can review students’ use of their presentations – perhaps noting sections that attract frequent re-visiting and so identify points where repair or elaboration might be useful.īut we have a responsibility to ensure that, on balance, any disturbance enriches rather than disrupts the vitality of the teaching and learning ecosystem. Those without English as their first language may be particular beneficiaries. Recordings might free the student to fully engage at the live event while taking more measured notes on the second viewing. For instance, some lectures are challenging (or obscure) and so need to be heard more than once. The positives are pretty easy to imagine. Perhaps to inspire, perhaps to disrupt but, most likely, to create new dynamics with both positive and negative effects. A new technology such as the automatic recording of lectures does not just add something good to the learning context – it re-configures it, but in uncertain ways. Our universities are rich human ecosystems and, as such, they can prove fragile in the face of interventions. Yet lobbing new resources into complex settings deserves caution. Some onlookers expect a hesitant response from the higher education sector, which is often portrayed as cautious about taking up educational technologies. And the IT industry has created some seductive products to record lectures, a process also known as “lecture capture”. 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Systems for NAMD simulations and analyze simulation output trajectories, notably on viral capsids. VMD () using "vmd -dispdev text -e *.tcl". Finally, free energy profiles of these reaction coordinates are calculated through energetic reweighting of GaMD simulations.įollowing is a list of TCL scripts that can be executed with Important structural contacts can be determined from DL models of saliency (attention) maps of the residue contact gradients, which allow for the identification of system reaction coordinates. Structural contact maps are then calculated from GaMD simulation frames and transformed into images for building DL models using convolutional neural network (CNN). First, all-atom GaMD enhanced sampling simulations are performed on biomolecules of interest. GLOW integrates Gaussian accelerated molecular dynamics (GaMD) and Deep Learning (DL) for free energy profiling of biomolecules. PyReweighting implements a list of commonly used reweighting methods, including (1) exponential average that reweights trajectory frames by the Boltzmann factor of the boost potential and then calculates the ensemble average for each bin, (2) Maclaurin series expansion that approximates the exponential Boltzmann factor, and (3) cumulant expansion that expresses the reweighting factor as summation of boost potential cumulants. Furthermore, the free energy profiles obtained from reweighting of the GaMD simulations allow us to identify distinct low energy states of the biomolecules and characterize the protein folding and ligand binding pathways quantitatively.Ī toolkit of python scripts "PyReweighting" is provided for reweighting of aMD simulations. Without the need to set predefined reaction coordinates, GaMD enables unconstrained enhanced sampling of these biomolecules. GaMD has been demonstrated on three biomolecular model systems: alanine dipeptide, chignolin folding and ligand binding to the T4-lysozyme. By constructing a boost potential that follows Gaussian distribution, accurate reweighting of the GaMD simulations is achieved using cumulant expansion to the second order. Gaussian Accelerated Molecular Dynamics (GaMD) is a biomolecular enhanced sampling method that works by adding a harmonic boost potential to smoothen the system potential energy surface. Gaussian Accelerated Molecular Dynamics (GaMD) The first three videos of the series starred actress Sandy Duncan. The show originated from the home video series, Barney & The Backyard Gang, which was produced by The Lyons Group from 1988 to 1991. The series is currently owned under Mattel since the franchise's acquisition in 2011 with distribution rights currently under 9 Story Media Group since 2015. Barney & Friends became a Daytime Emmy Award winner in 2001, and has been nominated for eleven Emmy Awards during its run on television. It was one of the most watched television programs and was the first show on public television to be aimed primarily at toddlers as Leach recognized a void in the market for video programming directed at preschoolers. He is joined by his other dino pals Baby Bop, BJ, and Riff, as well as a diverse cast of children. The main character of the show is a friendly, stuffed, purple Tyrannosaurus rex named Barney, who comes to life through a child's imagination, whenever he is needed for something. Aimed at children from the ages two to seven years, the show is based on to the video series titled Barney & The Backyard Gang which was created by Sheryl Leach and co-developed by Kathy Parker and Dennis DeShazer. The series ended on November 2, 2010, although new home videos were still released on various dates after the last episode aired as production of new content ceased in early 2011. Barney's World Barney & Friends is an American live-action educational children's television series that premiered on the Public Broadcasting Service on April 6, 1992. |
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